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A2B31SMS |
Multimedia signal synthesis |
Roles: | |
Extent of teaching: | 2P+2C |
Department: | 13131 |
Language of teaching: | CS |
Guarantors: | |
Completion: | Z,ZK |
Lecturers: | |
Credits: | 6 |
Tutors: | |
Semester: | Z |
Web page:
https://moodle.fel.cvut.cz/courses/A2B31SMS
Anotation:
This course introduces the fundamentals of sound synthesis algorithms (everyday, music and speech), digital audio effects and sonification. Multimedia synthetic signals are used in modern digital systems, virtual reality systems, computer animations, games and film. Understanding of theoretical concepts will be consolidated through practical programming assignments in Matlab.
Study targets:
Cílem studia je získání teoretických základů a praktického osvojení základních metod číslicové syntézy multimediálních signálů.
Course outlines:
1. | | Introduction to digital audio signal synthesis; musical scale generator |
2. | | Wavetable synthesis; time expansion and compression, time envelopes |
3. | | Concatenative and granular synthesis; parameters, synchronous and asynchronous |
4. | | Additive synthesis and spectral modelling; periodical nonharmonic signals |
5. | | Phase vocoder; signal modification in frequency domain |
6. | | Subtractive synthesis; excitation sources, simple filters, equalizers, color noise |
7. | | Formant synthesis; Klatt synthesizer, cascade and parallel configuration, FOF |
8. | | Linear prediction; cross synthesis speech and music, non-speech sound modelling |
9. | | Modulation synthesis; AM, tremolo, FM, vibrato, alarm, everyday sounds and tools |
10. | | Nonlinear and waveshaping synthesis; Chebyshev polynomials, limiters, distortion |
11. | | Delay effects; echo, reverb, comb and all-pass filters |
12. | | Spatial effects; Doppler effect, panning, hall, Schroeder?s reverb |
13. | | Introduction to physical modelling; digital waveguides, Karplus-Strong algorithm |
14. | | Sonification of biological signals (ECG, EMG, EEG, FCG, EOG), applications |
Exercises outline:
1. | | Musical scale, Morse code; aliasing, quantization and compression simulation |
2. | | Time and frequency scale modification, clarinet and banjo wavetable synthesis |
3. | | Concatenative speech synthesis, "sci-fi" sound synthesis |
4. | | Birdcall, brass, bells, gongs, cymbals, banjo, cllarinet and phone synthesis |
5. | | Length changes of audio signals, pitch shift, noise enhancement |
6. | | Synthesis of percussion, plane, wind, waves, violin, steps , consonant "s" |
7. | | Formant synthesis of vowels, music instrument and animal voice |
8. | | Speech, guitar, piano and hammer resynthesis; "cross" synthesis music and speech |
9. | | Vibrato, tremolo, coins, bubles, alarms, klepání, dřevo, klarinet, žestě, zvony |
10. | | Application of waveshaping to plucked string instruments, percussion and speech |
11. | | Digital reverb implementation (cellar, shover, cathedral) |
12. | | Spatial effects in sérech and music |
13. | | Guitar, harp, piano and drums synthesis |
14. | | Sonification of EEG, ECG, FCG, EMG |
Literature:
Miranda, E.R.: Computer Sound Design, ISBN 0-240-51693-1, Focal Press, Oxford, 2002
Zölzer, U.: DAFX - Digital Audio Effects, ISBN: 0-471-49078-4, John Wiley & Sons, 2002
Requirements:
Podmínkou udělení zápočtu je vypracování vybrané úlohy v MATLABu.
Keywords:
Sound syntesis
Subject is included into these academic programs:
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Page updated 19.4.2025 05:54:13, semester: Z/2024-5, Z/2026-7, L/2025-6, L/2024-5, L/2026-7, Z/2025-6, Send comments about the content to the Administrators of the Academic Programs |
Proposal and Realization: I. Halaška (K336), J. Novák (K336) |